Before I begin, it should be noted that this book has two titles. In the UK it was released under the title Cranky, Beautiful Faith but in the US it was released under the title Pastrix. I am not aware of any significant differences in the contents of the book, but just in case you’d read Pastrix and were thinking of getting this book, I believe they are the same. All I can say is that the American spelling mistakes were left in the edition I read, published by the Canterbury Press imprint of Hymns, Ancient & Modern.
So what’s it all about? This a personal testimony, a memoir of half a life. For those who’ve never come across Nadia before, she is the minister at House For All Sinners & Saints (HFASS) in Denver. Yet this hasn’t always been her occupation. We get a whistlestop tour of how she came to be a pastor, having been “the religious one” in a group of friends of junkies, drop-outs and alcoholics. When one of them died at a hideously young age, she took his funeral. From then on, she took it upon herself to become a pastor. Yet Bolz-Weber was never going to be conventional.
Her first thing to do was to get a tattoo of Mary Magdalene (readily visible on the front cover of the book). There never seems to have been much of a plan either. The book is told almost as a series of anecdotes. Yes, there is a story that emerges and yes, it’s roughly linear in time, but each chapter lives in its own little space, with slightly thin walls separating it from the next, so that you can faintly hear the shouting from the room you’ve just left as you enter the new one.
The style of writing is probably what will appeal to most people. It has the peculiar feeling of being both rough n’ ready as well as being thoroughly thought through. It is as though it has been carefully crafted to sound uncrafted. In this respect, it is like a less staccato, less annoying version of Rob Bell’s writings. At least Bolz-Weber manages to write in paragraphs!
Bolz-Weber often gets rather close to the bone. One of the incidents that stuck firmest in my memory was her recounting a time when she was conned by a pimp posing as a survivor of hurricane Katrina. This is just one example of a world which, to this British middle-class accountant, seems rather alien. Yet there is a familiarity to the kind of situations and characters described. They are just so much more exaggerated than one normally faces.
One of the things that shines through is her passion for the inclusion of the outsider. The church she established, HFASS, became known as welcoming those who…..how can we put it…..aren’t generally associated with church. Not because they shouldn’t be, but because churches have done a dastardly good job of shutting people out or demanding conformity. The question of inclusion of the LGBT community is possibly one of the most divisive issues in the Church today. In noting that it is needlessly so, I am in full agreement with Bolz-Weber.
Yet while Bolz-Weber may come across as wonderfully liberal and rather bucking against conformity, she stills holds to quite a conservative, pro-liturgy ecclesiology. Throughout the book, then, there’s this tension between the liberal and the conservative. Just when you think you’re agreeing with her, she drops something in there that makes you think “Really? I’m not sure about that.” An example of this would be that while the book is heavy on practical and thin on the academic side, one of the few theologians she speaks highly of is the late Marcus Borg (see here for why I find this a questionable stance).
Holding these contrasts together, there is something beautiful in Bolz-Weber’s testimony. Not everyone will share in her extremes, but there is a vein of great honesty that feeds her narrative and makes for compelling reading. I’ve already compared her to Rob Bell, but I know that he annoys many and that some may be put off by that. So let me add two more names whose voices I heard echoed or imitated here: Rachel Mann and Stanley Hauerwas. If you’ve read them and found them stimulating, then this is definitely a book that will interest you. If not, then I still recommend it to you as a work to make you smile, shake your fist, weep and think.