This was one of the books that was recommended to me at the start of the year as one to challenge my view. It does seem, though, that it was merely a recommendation from a friend of the author who was just trying to boost sales by 1. But I got it anyway.
Neither Here Nor There is a debut novel from Drori.
The story centres on Etsy. We meet her shortly after she has made a major life decision; she has left a community of ultra-orthodox Jews in Jerusalem, known as the Haredi. Her dream is to “become secular”. The book’s title can then be understood as saying that Etsy has left one life, but has not yet integrated into a new one. She is an in between space, neither here nor there.
The impetus for the plot is provided by Mark, who is the first person she happens to meet. What evolves is the love story between them, though it did come across as a bit rushed and contrived. There was no reason given for their attraction; it was little more than “love at first sight”.
One of the things I couldn’t get past as I read was that Drori was very keen on getting the reader to understand the emotional side of the characters. Quite often, though, this was told to us in a quite forthright manner, rather than being shown to us. So the characterisation ends up a little flat, with no mystery at all. The whole person is laid out on the page for the reader to see. But this happens for both Etsy and Mark. So while we might used to be reading a book from one character’s perspective, what Drori does is try to show us both main characters at the same time.
The other problem I had with the book was the lack of a sense of place. So much has been invested in the emotional feel of the book, that Jerusalem fades into the background. With a few exceptions, the story could take place almost anywhere. I wanted to be able to get a sense of the ground underneath my feet, the heat of the atmosphere, the smells of the city, but it was all just a bit thin. It was almost as though the intention had been to write a play rather than a novel, given how dialogue-driven the whole book was.
The progression of the plot has a very familiar feel to it. Anyone who has encountered Romeo and Juliet knows the idea of the love between two people from different, but intersecting worlds. What we get here then is the walking down of a well-trodden path, almost to the point of cliché. It’s not a bad book, especially considering it is a first novel, but it’s not one that I feel rushed to recommend to people as (to compare to another debut novel) I did with The Night Circus. If Drori writes a second novel, I wouldn’t be disinclined to read it, but I would be hoping for something with a little more substance to it, where the reader gets to smell the atmosphere and has to work a little to get to know the characters and their motivations.